News

The new work 'Margins of Excess' will be exhibited for the first time at
two different group exhibitions in January 2018:

“It is difficult / to get the news from poems / yet men die miserably
every day / for lack / of what is found there.”

Gallery Sofie Van de Velde (Nieuw Zuid)
Curated by Joachim Naudts
Opening: 25 January
Runs until 18 March 2018
Leon Stynenstraat 21, 2000 Antwerp, Belgium
www.sofievandevelde.be

Photo Friction
Cultuurcentrum Mechelen
Group exhibition with Koen Broos, Filip Dujardin, Tine Guns, Pieter Huybrechts, Charlotte Lybeer, Ives Maes, Michèle Matyn,
Jo Op de Beeck, Max Pinckers, Veronika Pot, Nicolas Provost, Bruno V.Roels, Arno Roncada & Lieven Segers.
Opening: 26 January
Runs until 15 April 2018
Minderbroedersgang 5, 2800 Mechelen, Belgium
www.cultuurcentrummechelen.be

Read an introduction by Hans Theys here:
Margins of Excess: A new photographic essay by Max Pinckers

From the series Margins of Excess, 2018


Lotus at Ecce Homo – Geukens De Vil
Ecce Homo is an exhibition project by Antwerp based gallery Geukens & De Vil in collaboration with Marion de Cannière
and art critic Eric Rinckhout
62 Belgium based artists, 9 venues in the historic center of Antwerp, 1 walk.
Runs until 25 February 2018
Geukens & De Vil, Leopoldplaats 12, 2000 Antwerp, Belgium
www.eccehomoantwerpen.com / http://www.geukensdevil.com

Recent online publications
American Suburb X / Trophy Camera: A New Fear of Organizing Principals
The New Yorker / The Risk of Nuclear War with North Korea
British Journal of Photography / Book: Lotus by Max Pinckers and Quinten de Bruyn
Petapixel / This AI-Powered Camera Only Shoots ‘Award-Winning’ Photos
Co.Design / This Camera Silently Judges Your Photos Against The World’s Best
VICE Magazine / Met deze camera schiet je altijd een World Press Photo-waardig plaatje
Magnum Photos / Finding Your Documentary Photography Style
De Tijd / De realiteit bestaat niet
Polka Magazine / Après Hokusai et Jeff Wall, le Japon raconté par Max Pinckers
Collector Daily / Lotus, by Max Pinckers and Quinten De Bruyn
THISISPAPER / Max Pinckers: Two Kinds of Memory and Memory Itself
TIME Lightbox / Truth and Fictions in Everyday Japan
Creative Boom / New Blood. Superb works from some of the world's best emerging photojournalists
Aperture / From the Outside In by Stanley Wolukau-Wanambwa
The Culture Trip / Max Pinckers: A New Approach To Documentary Photography
Rivista Studio / Love Commandos
Vice / Two kinds of Memory and Memory Itself
L’Oeil de la Photographie / 2015 Magnum Nominees: The Future of Photojournalism
Canvas / De Rebellen
TIME Lightbox / Magnum Photos Adds Record-Breaking Number of New Members
The New Yorker / Love in India
The Daily Observer / Chobi Mela: A carnival mood engulfs city
Paper Journal / Lieko Shiga’s RASEN KAIGAN | album, selected by Max Pinckers
Caravan Magazine / At First Sight
The Guardian / India’s Love Commandos – and the runaway couples they protect
Tasveer Journal / Book Review: Will They Sing Like Raindrops or Leave Me Thirsty
The Indian Express / A Song of Love
Financial Times / Self-publishing: DIY photography books are the rage
H-ART Magazine / Max Pinckers en Gauthier Oushoorn filmen hun tentoonstelling
Colin Pantall's blog / Documentary Photography and the Dinosaurs
Photobook Store Magazine / Control Order House by Edmund Clark, reviewed by Max Pinckers